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Schubert Shadows -January 6, 2008
Southwest Premiere
a brief description
 
"Every night when I go to bed, I hope that I may never wake again, and every morning renews my grief. "- Franz Schubert

Harry ClarkHarry Clark created "Schubert Shadows" as a gift to his wife, pianist Sanda Schuldmann. As a student of great music making, "the lied" is the most authentic resource. There is no greater teacher than the human voice that teaches us about great timing and correct musical breathing than the German lied.

In 1827, Beethoven, the most famous musician in Europe died at age57.  6000 persons “the who is who” of Viennese society - attended his funeral: Ludwig van Beethoven was now gone.  Franz Schubert, age 30, dying of a combination of syphilis and cholera, had but one year left in his brief life. Unknown outside a small coterie of friends, Schubert in his remaining months left on earth, created masterpiece after masterpiece.  With Beethoven’s death, Schubert was freed from the severe, and at times paralyzing adoration he had for his mentor.

The portrait is told in the character of the famed opera and lieder singer Johann Michael Vogl, some 30 years older than Schubert, who befriends the young genius and begins to sing his songs, telling the world of the obscure but great composer emerging from the shadows of Goethe and Beethoven.

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About the music
Antonio Salieri upon meeting the young Franz Schubert declared: "He must be taught by God himself".

Schubert was never good at earning money. He wrote music nobody ordered. He wrote just for fun! During a couple years he composed two symphonies and between 200 and 300 songs, including the masterpiece "Gretchen am Spinnrade", written at the age of 17. His songs first brought Schubert fame. He could virtually write songs without thinking.

In 1815 he met Franz von Schober, a law student of good family and free of economic worries. Schober liked Schubert's music. He persuaded Schubert to leave the teaching position, which was affecting his composing in a bad way, and come and live with him instead. Schubert was now a free musician, without a secure income.

It was at the home of Schober where Schubert met the great singer Johann Michael Vogl. Together they started the Schubertiads, a group of friends who met for the sole purpose of having fun. They amused themselves, and together they listened to Schubert at the piano and Vogl singing Schubert's songs. Schubert Shadows takes you back for a inside view of those days. Comprised entirely of these songs, the program includes such masterpieces as An Die Musik, Der Erlkönig, Gretchen am Spinnrade, Die Forelle and Der Tod und Das Madchen.
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Performers
Richard Moll Richard Moll portrays Johann Michael Vogl .
Six feet tall by the time he was twelve, Richard Moll would eventually peak at 6'8". To ward off jokes about his height, Moll adopted the "class clown" pose in school, eventually developing a taste for play-acting.

Moving from his hometown of Pasadena to Hollywood in 1968, Moll spent the next decade or so with various theatrical troupes, and for a while toured schools in the role of Abraham Lincoln. Whenever he made the movie and TV casting rounds, Moll was greeted with an astonished "What a monster!"; thus, a monster he became, playing a steady succession of "bikers and snake men and one-eyed mutants." He was one of the title characters in the 1972 TV movie Gargoyles, was seen as an abominable snowman in Caveman (1981), and played various and assorted hulking goons in such adventure flicks as Metalstorm (1982) and The Sword and the Sorceror (1984). He was finally allowed to exhibit his "human" side--not to mention his considerable flair for light comedy--as court guard Bull Shannon on the long-running (1984-92) TV sitcom Night Court.   Hal Erickson, All Movie Guide

We are very pleased to welcome him to Tucson.


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Performance details:
Show time: 3p.m.
Pre concert chat: 2:30 p.m.
Venue:  Berger Performing Arts Center, 1200 West Speedway Blvd.
Directions- Click here for directions to the hall.
Individual Ticket Price: $30

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